I purchased this CD a few years back for $3.99 from CD Warehouse and, like many other discs I purchased on the cheap out of curiosity, promptly forget to listen to it. No time like the present to catch up on such things, right?
Tim Booth was the lead singer of James while Angelo Badalamenti is a classically trained musician who made his name composing music for films, many of which were directed by David Lynch. Notably, much of Badalamenti's work for Twin Peaks was sampled by techno artists including Moby and Apoptyma Berzerk. To surmise, Badalamenti is to Lynch what Danny Elfman is to Tim Burton.
The one-off collaboration of Booth & the Bad Angel came about due to a comment by Booth on the UK television programme Friday Night At The Dome. The reason for the show itself was to enable contemporary musicians to collaborate with their heroes; Booth mentioned Badalamenti and four years later, in 1996, the two had produced an album (which also featured Suede guitarist Bernard Butler).
Badalamenti's trademark haunting surrealistic quirkiness is all over this album, but when combined with Booth's indie pop sensibilities, we get something yet even more interesting and different. There are a lot of textures and moods to explore on this disc and I should have given it a listen much sooner.
After this collaboration, Booth returned to James and the band released Whiplash (1997). Meanwhile, Badalamenti scored The City of Lost Children (1996).